1. Agent Carter Season 2 Streaming
2. Agent Carter Cancelled

Next →The first season of the American television series, which is inspired by the film and the short film of, features the character as she must balance doing administrative work and going on secret missions for while trying to navigate life as a single woman in 1940s America. Civic auto to manual swap. It is set in the (MCU), sharing continuity with, and was produced by, and F&B Fazekas & Butters. Tara Butters, Michele Fazekas, and Chris Dingess served as.reprises her role from the film series and One-Shot as Carter, with, and also starring.

In May 2014, ABC bypassed a, ordering a show based on the One-Shot straight to series for an eight episode season. Filming took place in Los Angeles from September 2014 to January 2015, and provided visual effects. The season introduces the origins of several characters and storylines from MCU films, while other characters from the films and Marvel One-Shots also appear.The season, which aired on from January 6 to February 24, 2015, over 8 episodes, aired during the mid-season break of Despite steadily dropping viewership, critical response to Agent Carter was positive, with much praise going to Atwell's performance, the series' tone and setting, and its relative separation from the rest of the MCU. The series was renewed for a second season on May 7, 2015.

Contents.Episodes No.overallNo. InseasonTitleDirected byWritten byOriginal air dateU.S. Viewers(millions)11'Louis D'EspositoJanuary 6, 2015 ( 2015-01-06)6.91In 1946, mourning of, returns to work for the Strategic Scientific Reserve (SSR) in New York City following the end of World War II.

The SSR investigates industrialist for apparently selling weapons to enemies of the United States. Stark secretly contacts Carter, and asks her to help him clear his name. Before he leaves the country, he tells her about his formula for molecular nitramene that is going to be sold at a club. Infiltrating the club in disguise, Carter learns that the formula has been weaponized. She shows one such nitramene bomb to scientist, who deduces that it came from a refinery. Carter, along with Stark's butler, investigates the refinery, and encounters Leet Brannis, who apparently works for an organization called, and escapes with a truck full of the nitramene weapons. Before leaving, Brannis drops a nitramene bomb, and as Carter and Jarvis escape, it destroys the entire building.22'January 6, 2015 ( 2015-01-06)6.91Carter goes undercover again to search for the truck with the weapons, and finds the address of the truck's official driver.

The SSR agents interrogate Miles Van Ert, the Roxxon scientist who made the weapons, and learn of the address as well. Carter and Jarvis arrive at the house first, and find Brannis, who they force to go with them. The three are attacked by Sasha Demidov, who works for Leviathan, an organization that it now seems Brannis has betrayed. Carter fights Demidov, but he still manages to mortally wound Brannis. Jumping to safety with Carter and Brannis, Jarvis forces the truck to careen off a cliff with Demidov, and the weapons inside implode. Before he dies, Brannis draws a symbol in the dirt. SSR agents Roger Dooley, Jack Thompson, and Daniel Sousa later arrive to find Brannis's body, a woman's footprints, and a hotel key (belonging to Demidov).

Meanwhile, Agent Ray Krzemenski, sifting through the Roxxon refinery remains, finds the license plate for Stark's car that Jarvis and Carter used to get away.33'Andi BushellJanuary 13, 2015 ( 2015-01-13)5.10Dooley and Krzeminski investigate Demidov's hotel room, and discover a typewriter. Thompson and Sousa take Jarvis in for interrogation, and the former threatens him with revealing an old treason charge to the immigration office. Carter, feigning ignorance, botches the interrogation to get Jarvis out, and receives a stern reprimand from Dooley. Carter and Jarvis then follow the sewer system below Stark's vault, through which Brannis took the stolen technology, to the docks, where they find the weapons on board The Heartbreak (a ship bearing Brannis' symbol). Jarvis anonymously gives the SSR their location, while Carter fights off a guard who had been working with Brannis. Carter and Jarvis are forced to leave him behind as the SSR arrives. While being transported back to SSR headquarters by Krzeminski, the guard is about to identify Carter as the woman interfering with the Stark investigation, when an unidentified assassin kills them both.44'Brant EnglesteinJanuary 27, 2015 ( 2015-01-27)4.63After learning that Brannis and Demidov were supposed to have died during the Battle of, Dooley travels to Germany to speak with the Nazi colonel who led the opposing forces, and though he doesn't learn how Brannis and Demidov survived, Dooley does discover that their forces were seemingly massacred before the Nazis even arrived.

With Carter's only job to collect lunch orders, she meets up with Stark, who has secretly returned in the wake of his technology's discovery. Looking at photographs Carter takes of the weapons, he identifies one of them as the Blitzkrieg Button, which he claims can cause a permanent blackout throughout the city. However, a suspicious Carter opens the device to find a vial of Rogers' blood. Angry at Stark for lying to her, she hides the vial. The criminal who smuggled Stark into New York, but was scammed out of his money by Carter and Jarvis, follows Carter back to her apartment, but he is killed by her new neighbor, Dottie Underwood.55'February 3, 2015 ( 2015-02-03)4.20Carter decrypts an encoded message, received from Leviathan through Demidov's typewriter, for the SSR, learning that Stark will be selling weapons to Leviathan at a.

Thompson is sent to stop the sale and apprehend Stark, and is forced to take Carter when she enlists the help of her war comrades, the. They discover that young girls are trained at the complex to infiltrate the US as sleeper agents, and realize that they have walked into a trap when one girl kills the Commando. Soviet soldiers attack the team and Thompson freezes under fire, but Carter ensures that they escape, along with imprisoned psychiatrist Dr. Meanwhile, Underwood, who is actually a sleeper agent trained at that complex, discovers the photos of Stark's weapons in SSR custody when searching Carter's apartment, while Sousa realizes that Carter is the woman who has been interfering with the SSR's investigation.66'Lindsey AllenFebruary 10, 2015 ( 2015-02-10)4.25Carter and Jarvis investigate the women that Stark has been involved with over the last six months, believing that a female Leviathan operative may have been used against Stark and to kill Krzeminski, but their search is unsuccessful. Sousa reveals to Dooley that Carter is an apparent traitor, and all agents are tasked with tracking her down. They eventually corner her and Jarvis, but Carter fights them off. During the commotion, Dr.

Ivchenko, who is actually working for Leviathan, hypnotizes Agent Yauch, who reveals that only Dooley can access Stark's weapons. Yauch shows Ivchenko how to get out of the SSR, before Ivchenko forces him to commit suicide. Carter retrieves Rogers' blood from her apartment. As she tries to escape the building, she is knocked out by Dottie Underwood, but not before realizing that Underwood is the Leviathan operative. Underwood is about to kill Carter when Thompson and Sousa arrive.

She feigns ignorance, and the agents arrest Carter.77'Chris DingessFebruary 17, 2015 ( 2015-02-17)4.15As Carter is resisting interrogation at the SSR, Jarvis appears with a fake signed confession from Stark, promising surrender if Carter is released. Carter sees Ivchenko communicating in Morse code with Underwood, and reveals the truth about her own investigation to her colleagues to gain their trust. Ivchenko hypnotizes Dooley and has him steal one of Stark's weapons from the SSR's labs: a gas cylinder that Underwood and Ivchenko activate in a crowded cinema before leaving and locking the door behind them. The agents find Dooley wearing a Stark experimental vest given to him by Ivchenko, which Jarvis explains will explode with no way to deactivate it. Dooley jumps out a window moments before the device detonates, killing him but saving the others.

The gas in the cinema makes many in the audience become maniacal and attack each other violently, and when an usher arrives soon after, the entire audience is dead.88'Michele Fazekas & Tara ButtersFebruary 24, 2015 ( 2015-02-24)4.02The SSR discovers the gas cylinder in the cinema and realize that Ivchenko possibly plans to turn all of New York on itself. Stark returns and explains that he had developed the gas, named Midnight Oil, to give American soldiers extra stamina during war, but it caused and lead to them killing each other.

During World War II, the American military stole Midnight Oil and used it on the Soviets at Finow. Stark believes that Ivchenko – real name – blames Stark for the ensuing massacre, and allows the SSR to use him as bait to draw Leviathan out. This plan goes awry when Underwood distracts the agents while Fennhoff kidnaps Stark, and uses hypnosis to convince him to drop the gas on Times Square. At Stark's secret plane hangar, Sousa apprehends Fennhoff while Carter defeats Underwood (who escapes) and convinces Stark not to drop the gas on the city. Carter later discards Rogers' blood in the, finally moving on with her life, while Fennhoff is imprisoned with the scheming.Cast and characters. Production Development By September 2013, Marvel Television was developing a series inspired by the short film, featuring the character.

On May 8, 2014, officially ordered the series, bypassing a order, and later confirmed that Agent Carter would air between the 2014 finale and 2015 premiere of the of, beginning January 6, 2015. Later in May, star stated that the season would consist of eight episodes. Executive producers for the season include Tara Butters, Michelle Fazekas, Chris Dingess, Louis D'Esposito, Stan Lee,.

Butters, Fazekas, and Dingess serve as on the season. Writing Markus & McFeely, writers on the Captain America films, had written a script for the first episode by January 2014. They stated in March that the series would be set in 1946, occurring in the middle of the timeline established in the One-Shot.

In July, Butters and Fazekas revealed that writing for the rest of the season would begin in August 2014.In July 2014, Fazekas stated that it was 'fabulous from a writing perspective' to have an eight episode order, as 'you can plan it and know where you're heading. They're all their own stories and they all have their own drive, but it's sort of building toward a big thing at the end of the eight episodes.' Elaborating on this, Atwell said, 'it's incredibly tight, the script, which is great. It's fast moving and fast paced but luckily because it's not stretched out of 22 episodes, nothing is diluted. Every line is vital to not only moving the story and the action along but also developing the characters.'

The season's overarching storyline revolves around the chemical weapon Midnight Oil, which is based on the Madbomb of the Captain America comics. The Madbomb was originally considered for use in, before negotiations with actors to adapt the ' storyline were completed. Also in July, it was revealed that Carter's husband would be explored in the series.

However, he was ultimately not explored much in the first season, with McFeely saying, 'This was the season where she says goodbye to Steve Rogers. In a second season, she could be freer to have those conversations about a life after him.'

Speaking about the season's use of 1940s terminology, Fazekas stated that terms like 'broad' and 'dame' were preferably avoided, while research was done to ensure terms that were used in the series were actually in use during that time, with Fazekas giving the example, 'you know what didn't exist in 1946? I looked up the etymology on that, didn't exist in 1946. Turns out it was a term that came around in the 60s. But for instance, I wrote a line that said, 'Oh I think someone's yanking your chain.' And I had to look it up, did that exist in 1946?

And actually it did; it's a mining term that exists from a long time ago. That's our research that we do.' Research was also done on radio shows of the time to ensure realism when creating the fictional Captain America Adventure Program, with details discovered and replicated on the series including the use of lobsters and ham to create sound effects for the radio show. The Griffith Hotel, the all-women boarding house where Carter lives, is based on the real-life. Butters felt that while working in the time period, it became an issue to not sound ' too period'. Additionally, it was difficult to write British people from the time in order to avoid stereotypes such as the 'typical British butler'.

However, D'Arcy, who is British, felt the writing staff wrote the British characters better than anyone else he had worked with, despite there not being any British writers on the staff. Hayley Atwell reprises her film role as Peggy Carter, the titular character of the television series.The main cast for the season includes as, reprising her role from the film series, as, as Jack Thompson, as Daniel Sousa, and as.In March 2014, Markus and McFeely stated that Howard Stark would be a recurring character, contingent on 's involvement. In June 2014, Atwell confirmed that Cooper would be involved with the series., and also recur as Ray Krzeminski, Miriam Fry, Angie Martinelli, and Dottie Underwood, respectively, throughout the series.In November 2014, it was announced that would portray a younger version of, who was portrayed in.

Chris Evans appears as Steve Rogers / Captain America via archive footage from The First Avenger. And also reprise their roles of and from previous MCU films, One-Shots, and/or television series during the season. Filming Filming began in Los Angeles around late September / early October 2014, with the Nylon, and was completed on January 20, 2015. Filming locations included, Royce Canyon, the marina in, and the.Cinematographer Gabriel Beristain, returning from the One-Shot, used a combination of modern digital technology and traditional analog techniques to replicate the feel of classic films that are set in the 1940s, but to also have the convenience and consistency of modern technology. Beristain uses the digital camera, along with Leica Lenses and silk-stocking diffusion nets, the latter on which he recalled 'I had last used in the 1980s in England on videos and commercials. I remembered that they were fantastic.

In combination with the Leica lenses, the look is very classic, very much like a 1940s film. When I saw it, I said, 'This is absolutely Marvel,' and D'Esposito agreed.' For the series' lighting, Beristain again mixed modern and traditional, using fixtures to recreate classic Hollywood lighting. He called his lighting of Atwell 'an homage to the great cinematographers who lit and.' Visual effects Sheena Duggal, who served as visual effects supervisor on the Agent Carter One-Shot, returned to the position for the series, while the companies (ILM) and created the visual effects.

Work by ILM includes the creation of backdrops for the series, including, depicting 1940s New York. Also created visual effects, with ILM coordinating with them and Base to maintain a 'seamless workflow'. The season had 1038 visual effects shots, with multiple episodes being worked on in post-production simultaneously to complete the work. In addition to all the set extensions required to depict the period (the series filmed at 'every back lot in LA, including Universal, Paramount and Warner Bros., relying on a tremendous amount of green screen and matte paintings to create the show's authentic-looking locations'), Duggal also noted difficulty in simulating the imploding bombs and creating a fully CG truck that drives off a cliff.

Music In September 2014, officially signed on to compose for the series, having previously composed the Agent Carter One-Shot. Lennertz combined all the different style elements of the show in the music, such as mixing jazz and period elements, with orchestra and electronic elements. In his research of the music of the time period, Lennertz learned that jazz was shifting from to smaller ensembles, and was being introduced. This allowed him to incorporate trumpets in his scores, to harken to the time period and because they are 'also very sneaky, and it lends itself to espionage'. Lennertz used the alto flute to capture 'Carter's aura', saying, 'It feels like a strong woman's voice, especially as she's sneaking around.it also has that spy quality.' Additionally, Lennertz was able to reorchestrate ' for the season, which is originally by for Captain America: The First Avenger, and introduced a folk choral piece performed by a Russian men's choir during 'The Iron Ceiling'. A soundtrack album for the season was released on on December 11, 2015.All music composed by Christopher Lennertz.

Track listingNo.TitleLength1.' Peggy Remembers Cap'1:512.' Back Alley Surprise'0:583.'

Bad Babies'2:524.' Typewriter Spy Messages'1:265.' Green Man Fight'2:026.' Blindes and Money'1:297.' Roxxon Plant Implosion'5:148.'

Morning After Shooting'1:429.' Dairy Van Implosion'1:3110.'

Dottie's Training'1:1711.' Forgot the Password'1:2312.'

Thompson's Navy Cross'1:3713.' Instill Fear'3:0914.' Dottie Sneaks In'3:4715.' Peggy Saves Thompson'6:1316.'

Dottie and Doctor Plot'2:5217.' Inside the Minds of Soldiers'2:3818.' Interrogating Peggy'2:0819.' Enter Dooley's Head'1:0920.' Leviathan is Coming'0:5721.'

I'm Invisible to You'1:5522.' Doctor and Dottie Escape with Item'1:4023.' Vest of Destruction'4:1824.'

Check the Rooftops'1:4425.' Bring Him Home'1:2326.' Badass Girl Fight'2:1227.' We Have to Let Him Go'2:1028.' Peggy Gets Her Respect'2:2629.' Honored to Assist You'1:28Total length:65:31Marvel Cinematic Universe tie-ins Markus, talking about the series place in the greater architecture of the MCU in January 2015 said 'you really only need to drop the tiniest bit of hint and its connected. You don't have to go, 'Howard Stark's wearing the same pants that Tony wears!'

Everything is enhanced just by the knowledge that its all connected.' The season introduces the and the origins of the program, which will eventually produce, who appears in multiple MCU films portrayed. Although the origins of the program are explored, the term 'Black Widow' is never used in the series.

Agent Carter also explores the origins of the Hydra-led program, as seen by the end tag in 'Valediction' when Zola approaches Faustus about mind control. Release Broadcast Agent Carter debuted in the United States and Canada as a two-hour series premiere on January 6, 2015, on ABC and, respectively. It began airing in New Zealand on on February 11, 2015. In October 2014, the channel that airs Agents of S.H.I.E.L.D. In the United Kingdom, stated that they did not 'have any current plans to air Agent Carter'. In June 2015, purchased the broadcast rights for the United Kingdom, with the series premiering on July 12, 2015.

Marketing In the lead up to the airing of the series, Atwell made several appearances as Carter in Agents of S.H.I.E.L.D. Footage from the first episode was shown at on October 10, 2014, and again in ABC's one-hour, which aired in November 2014. The first teaser for the series debuted during Agents of S.H.I.E.L.D. On October 28, 2014, with the tagline 'Sometimes the best man for the job.

Though the trailer itself was received positively, the tagline was criticized as 'awful' and 'ridiculous', and of said 'I get that one of the themes of the show will be Peggy dealing with the sexism of the time, but these ads exist in 2014, not 1945. Please find a new tagline.'

Home media The season was released on and on September 18, 2015, as an exclusive. Reception Ratings No.TitleAir date(18–49)Viewers(millions)DVR(18–49)DVR viewers(millions)Total(18–49)Total viewers(millions)1'January 6, 20151.9/66.911.13.253.010.162'January 6, 20151.9/66.911.13.253.010.163'January 13, 20151.5/45.100.82.562.37.664'January 27, 20151.3/44.631.02.542.37.165'February 3, 20151.3/44.20N/AN/AN/AN/A6'February 10, 20151.4/44.250.9N/A2.3N/A7'February 17, 20151.4/44.150.82.092.26.248'February 24, 20151.3/44.020.9N/A2.2N/AThe season averaged 7.14 million total viewers, including from DVR, ranking 74th among network series in the. It also had an average total 18-49 rating of 2.3, which was 46th. Critical response The website reported a 95% approval rating with an average rating of 7.9/10 based on 42 reviews. The website's consensus reads, 'Focusing on Peggy Carter as a person first and an action hero second makes Marvel's Agent Carter a winning, stylish drama with bursts of excitement and an undercurrent of cheeky fun'., which uses a weighted average, assigned a score of 73 out of 100 based on 27 reviews, indicating 'generally favorable reviews.' Brian Lowry, reviewing the two-part premiere for, felt that giving Atwell her own television series was 'a pretty smart bet' by Marvel, and he called the episodes 'considerable fun'.

He noted the period setting as contributing to this, and positively mentioned the score by composer Christopher Lennertz. Darren Franich of felt that 'the show isn't as retro-stylish as it thinks it is. The first hour of Agent Carter feels like an above-average episode of ', noting that it tonally aims for, and ('A tough tonal mixture on a weekly broadcast budget, but also an ambition worth pursuing'), but praised Atwell's performance, calling her 'a delight' and 'firing on all cylinders'. Franich was negative about what he saw to be common MCU tropes, notably 'Somebody named Stark invented something dangerous; everyone wants an All-Important Glowing Thing; there's an implicit promise that nothing will be solved for weeks/years to come.' Though he was wary about the series being forced to contribute to the rest of the MCU, he did note that ' Agent Carter feels pleasantly segmented off from the greater Marvel Machinery'.Eric Goldman of gave the first season an 8.8 out of 10, saying, ' Agent Carter didn't need to succeed by setting up something to pay off in – it just needed to be an entertaining, involving show.

And boy, was it.' He also praised the Peggy/Jarvis dynamic, the MCU tie-ins and connections the series included, such as the Black Widow program, and the strong portrayals of the season's supporting characters. Amy Ratcliffe at Nerdist called the season 'a memorable splash' a noted that the lack of filler in the short season lead to 'action-packed but not overstuffed' episodes. She praised the 'period aspect that's defined so well by music, sets, and costumes' as placing the series 'head and shoulders above others', and called the cast 'eminently talented'.

On the other hand, Lowry ultimately found the series 'just didn't have legs', saying that after the premiere it 'meandered through several episodes that merely seemed to inch the story along, rallying only slightly in the not wholly satisfying conclusion.' He felt that outside of Atwell's Carter and D'Arcy's Jarvis that characters were not developed enough, and said that the MCU tie-in with Toby Jones' Arnim Zola made the series seem like 'a footnote'. Accolades Maureen Ryan of Variety named the show one of the Top 20 Best New Shows of 2015, while ranked it 10th on their Best TV Shows of 2015 list. Named Atwell's performance as one of the 'Best Individual Performances' of 2015. YearAwardCategoryRecipientResultRef.2015Agent CarterNominatedNominatedBest Guest Performance in a Television SeriesNominated2016Outstanding Supporting Visual Effects in a Photoreal Episode'NominatedTelevision and New Media Series – Best Period and/or Character Hair StylingAgent CarterNominatedReferences. ^ Strom, Marc (May 10, 2014). From the original on May 10, 2014.

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Agent Carter Season 2 Streaming

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Agent Carter Cancelled

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Date2.7 GB002.7 GB00779 MB00890 MB001.7 GB001.6 GB00244 MB0026.3 GB004.8 GB002.9 GB003.1 GB001.5 GB001.1 GB002.3 GB001.9 GB0026.2 GB00251 MB00256 MB00240 MB00215 MB00275 MB00243 MB001.4 GB001.2 GB001.2 GB001.3 GB001.3 GB00275 MB001.4 GB001.4 GB002.6 GB001.7 GB002.3 GB002.4 GB002.3 GB003.4 GB004.2 GB00795 MB00654 MB00448 MB00331 MB00340 MB00280 MB0013.1 GB00.